Director's Statement

On May 16, World Press Photo, one of the most respected institutions in photojournalism, made an extraordinary decision: it suspended the attribution of the iconic “Napalm Girl” photograph. This action follows an independent investigation conducted by forensic analysts and media experts. Their findings conclude that, based on the available visual and technical evidence, Nguyễn Thành Nghệ, a long-overlooked Vietnamese stringer, appears more likely than Nick Út to have taken the photo.

This renewed examination was prompted, in part, by the evidence presented in THE STRINGER, an investigative documentary I directed in close collaboration with a team of journalists and film crew, many of whom are Vietnamese. This recognition is deeply meaningful to all of us involved. But above all, it represents a critical first step in acknowledging the man we believe is the rightful photographer: Nguyễn Thành Nghệ. We hope the world will come to know and say his name.

THE STRINGER is not a film about Nick Út or the Associated Press. It is a story about truth, memory, and the quiet burden of a man who carried a secret for over fifty years, and the family who carried it with him. While one man was celebrated globally for a photograph that shaped the world’s understanding of the Vietnam War, another lived in silence.

Since our Sundance premiere in 2025, the film has sparked international conversation and inquiry. While we welcome open debate, the facts we present stand on firm ground, supported by testimony, documentation, and now by the findings of an independent third-party review.

The turning point in this story began with Carl Robinson, a former AP photo editor, who made the decision in 1972 to credit the photograph to Nick Út. As he shares in our film, he knew at the time that it may not have been accurate, and he has been haunted by that choice ever since. His desire to set the record straight became the catalyst for a long-overdue reexamination of the image’s provenance.

This film is also about power – who gets to be seen, who is believed, and who gets to write history. Nghệ was a trained military photographer with years of experience, including time in Washington, D.C. But as a “stringer,” he lacked the institutional support and protection afforded to foreign press agencies. That disparity shaped not only his fate, but the historical record itself.

I’ve long carried the legacy of the war in fragments, through the silence of my parents, who lived near the 17th parallel during the war, and through the images of conflict that played endlessly on our television and in cinema, projected onto the walls of our memory whether we invited them or not. But alongside the sorrow was something else, something rarely acknowledged: the capacity of Vietnamese people not only to endure, but to speak. To witness. To create the very images that have shaped how history is remembered. Yet even when people like my parents and my community were central to the story, we were often invisible. As a Vietnamese American filmmaker, I grew up watching the war play out through narratives created by others. The failure to center Vietnamese voices, then and now, is part of the very silence this film hopes to challenge.

It is notable that the Associated Press did not interview Trần Văn Thân, Nguyễn Thành Nghệ’s brother-in-law and an NBC soundman who was on the scene. This omission, like others, reflects a broader pattern — one in which the voices of Vietnamese people have often been excluded from telling their own stories.

From the start, our intention was simple: to share the perspectives of Nghệ, his daughter Jannie, and his brother-in-law Thân — three people who held onto a piece of history with quiet resilience. To hear them now, and to share their story with care, is the heart of what THE STRINGER set out to do.

The emotional truths in this story — the grief of a man whose work was never recognized, the regret of another who wishes he had spoken up sooner — are impossible to ignore. THE STRINGER does not rewrite history. It fills in what was left out.

The announcement by World Press Photo signals a turning point. It affirms the need to look again at the stories we thought we knew. And it marks a step toward giving Nguyễn Thành Nghệ the recognition he has long deserved.

As Trần Văn Thân says in the film: “There is nothing more important than the truth. When the truth is disregarded, that’s when society becomes corrupted.”

Bao Nguyen,
Director, THE STRINGER

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Long lines for water and flour are made by women of refugee families. © Ebrahim Alipoor / VII Mentor Program.
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Captured South Vietnamese soldiers sit on the lawn after North Vietnamese troops seized the presidential palace in Saigon, South Vietnam, on April 30, 1975. Photo by Jacques Pavlovsky/Sygma via Getty Images.
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© Ali Arkady / VII.

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The VII Foundation is committed to in-depth journalism covering the crucial issues of our time. In a world where beliefs and actions are increasingly out-of-sync with facts and realities, our response is to ensure the truth is documented to enable communities worldwide to make evidence-based choices about the challenges impacting their lives.

The foundation does this by empowering new voices through education, especially from under-resourced regions where press freedom is limited and journalists are vulnerable. We train practitioners to cover their local communities and global problems, and we produce large-scale and long-term documentary projects that advocate change and detail solutions. We bring new and neglected perspectives to the public agenda and host conversations that campaign for a diverse, safe and viable profession, especially for freelancers worldwide. 

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Former President Donald Trump arrives on stage to accept the Republican nomination for president in 2024 during the final night of the Republican National Convention in Milwaukee, Wisconsin, on Thursday, July 18, 2024. © Adriana Zehbrauskas / VII.
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Documenting Authoritarianism: How Can Journalism Be Better?

Join us on Wednesday, July 9, at 1700 CEST, either in-person at The Alexandra Boulat Campus in Arles, or online, for a panel discussion “Documenting Authoritarianism: How Can Journalism Be Better?”
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Contact sheet of black and white photographs taken by Roland Neveu in Phnom Penh on April 17, 1975, as Khmer Rouge forces enter the city. The two circled frames show: 1) Inside the French Embassy, a high-ranking French diplomat in shorts speaks with foreign residents at the gate after Khmer Rouge ordered foreigners to seek shelter there. 2) On the boulevard across from the embassy, people — likely staff from the nearby Calmette hospital — pull a cart loaded with patients to evacuate the city as ordered by Khmer Rouge. Photo by Roland Neveu.
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April 1975 , Phnom Penh – Saigon 

Opening on July 9, 2025, at The VII Foundation Arles  "April 1975, Phnom Penh – Saigon" is an exhibition that examines the lives and work of the journalists who covered the end of the wars in Cambodia and Vietnam in April 1975.
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Chongqing IV (Sunday Picnic), Chongqing Municipality, 2006. © Nadav Kander.
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Nadav Kander: What is it that you pursue? 

Join us for the keynote address, “What is it that you pursue?”, by Nadav Kander at The VII Foundation Arles on Monday, July 7, 2025, at 1600 CEST. The presentation is part of an exciting lineup of events held at our headquarters in France to coincide with the opening week of Les Rencontres d’Arles.

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Journalists document delegates from Pennsylvania casting their votes during the roll call of the Democratic National Convention at the United Center in Chicago, Illinois. Pennsylvania Governor Josh Shapiro cast the state’s Democratic delegates for Vice President and Democratic presidential nominee Kamala Harris and her running mate, Minnesota Governor Tim Walz. © Danny Wilcox Frazier / VII.
Journalists document delegates from Pennsylvania casting their votes during the roll call of the Democratic National Convention at the United Center in Chicago, Illinois. Pennsylvania Governor Josh Shapiro cast the state’s Democratic delegates for Vice President and Democratic presidential nominee Kamala Harris and her running mate, Minnesota Governor Tim Walz. © Danny Wilcox Frazier / VII.
USA 3.0 →
The VII Foundation, Daily Iowan Documentary Workshop, and University of Iowa SJMC present USA 3.0, a project that culminates in a book available now for pre-order.
Children from the Teepa family drive the younger siblings home, after a swim in the river. Tūhoe children are taught independence and to care for other family members. Ruatoki, New Zealand, 27 January 2022. © Tatsiana Chypsanava, Pulitzer Center, New Zealand Geographic.
Children from the Teepa family drive the younger siblings home, after a swim in the river. Tūhoe children are taught independence and to care for other family members. Ruatoki, New Zealand, 27 January 2022. © Tatsiana Chypsanava, Pulitzer Center, New Zealand Geographic.
World Press Photo Contest 2025 →
We're thrilled to celebrate the incredible talent within our alumni and VII Community, as several members have been recognized in this year's World Press Photo Contest.
The Story Behind The Photo: A Tribute to Paul Lowe →
Our friends at Sniper Alley Photo have released a deeply moving new episode of "The Story Behind The Photo," dedicated to the late VII contributing photographer Paul Lowe (1963 to 2024).
The mobile clinic vans, operated by Alliance for Public Health and sponsored by the Global Fund, arrive at a village in the war-hit Donetsk region in eastern Ukraine on Dec. 14, 2024. Photo by Oleksandr Rupeta / The VII Foundation for The Global Fund.
The mobile clinic vans, operated by Alliance for Public Health and sponsored by the Global Fund, arrive at a village in the war-hit Donetsk region in eastern Ukraine on Dec. 14, 2024. Photo by Oleksandr Rupeta / The VII Foundation for The Global Fund.
The Global Fund →
The VII Foundation, commissioned by The Global Fund, documented the heroic efforts of frontline medical teams in Ukraine. Ukrainian photographer Oleksandr Rupeta, a 2023-24 VII Mentor Program alumnus, was assigned to capture the work of mobile healthcare teams delivering lifesaving care in war-torn regions.

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Our new logo has been completely redesigned by Mechanica Design Director Wade Devers to anchor our rebrand. In the inspiring recording linked here, Wade narrates his process in reimagining our logo, which combines historical references with principles of design.

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