Cattle graze on open land outside Mbarara, Western Uganda, March 2026. A hand gestures toward the plain. Euphorbia and acacia mark the dry season landscape. Landowners in the area cite expensive labor and a lack of funding for mechanization as the main constraints on growth. AVSI and partner organizations are working to strengthen the community through training and technical support, in cooperation with the local Dairy Cooperative Society, which coordinates information sharing with AVSI, helps resolve business difficulties, and links farmers to local government needs and queries. © Nicolò Filippo Rosso.
When the Money Stops: How the Destruction of USAID Affected Refugee Communities in Uganda
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Charlie Kray’s funeral, 19 April 2000 – © Jocelyn Bain Hogg
"The Firm" with Jocelyn Bain Hogg and Lou Proud
watch →
Fernando Cruz casts his fishing net along the shore of Cedeňo beach, Honduras, Nov 29, 2024. © Santi Palacios.
Going Beyond the Problem: What Is Solutions Visual Journalism?
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ENGAGE

We are committed to freedom of the press, advocate for journalists’ safety, and support individuals in vulnerable situations. We organize public conversations that promote independent reporting as a tool for civic engagement and social impact. Our regular online events and in-person presentations — as well as Dispatches, our Substack publication — probe the production and power of images and strive for a diverse, secure, and viable profession, especially for freelancers worldwide. We do not endorse political parties or take partisan positions.

ONLINE EVENTS CALENDAR


Beyond Here is Nothing © Laura El Tantawy
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Oct
01
2026

Light, Land, and Language: Reimagining Documentary Practice

Charlie Kray’s funeral, 19 April 2000 – © Jocelyn Bain Hogg
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Aug
26
2026

The Firm with Jocelyn Bain Hogg and Lou Proud

The fish belong in the river, but the river is gone. A man stands in the water, while balloons shaped like dolphins float above, a parody of joy. Nature is replaced by plastic, survival is presented as celebration. Urbanisation turns rivers into markets, creatures into commodities, and memory into something fleeting. © Jubair Ahmed Arnob.
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Jun
25
2026

VII Community Presents: Sony World Photography Award Finalists

VIDEO COLLECTION


Enclosed between four walls, the sound of silence never seemed louder. It’s claustrophobic. I wait for the phone to ring, check for emails obsessively, eat everything out of the fridge. The hunger remains. I feel like if I dig my hand deep into my soul, I will find nothing. The awareness I am experiencing is unspeakable. Faces change when we meet. Is their solitude reflected in mine? There is an awkward silence. In it, a minute feels like an hour. An hour a day. A day can be a lifetime.
Enclosed between four walls, the sound of silence never seemed louder. It’s claustrophobic. I wait for the phone to ring, check for emails obsessively, eat everything out of the fridge. The hunger remains. I feel like if I dig my hand deep into my soul, I will find nothing. The awareness I am experiencing is unspeakable. Faces change when we meet. Is their solitude reflected in mine? There is an awkward silence. In it, a minute feels like an hour. An hour a day. A day can be a lifetime.
Charlie Kray’s funeral, 19 April 2000 – © Jocelyn Bain Hogg
Charlie Kray’s funeral, 19 April 2000 – © Jocelyn Bain Hogg
Fernando Cruz casts his fishing net along the shore of Cedeňo beach, Honduras, Nov 29, 2024. © Santi Palacios.
Fernando Cruz casts his fishing net along the shore of Cedeňo beach, Honduras, Nov 29, 2024. © Santi Palacios.
A teenage rock band practice in Dobrinja. Culture was one of the main ways that the city defended its values as a European capitol. Sarajevo, Bosnia and Herzegovina. Winter 1993. © Paul Lowe / VII.
A teenage rock band practice in Dobrinja. Culture was one of the main ways that the city defended its values as a European capitol. Sarajevo, Bosnia and Herzegovina. Winter 1993. © Paul Lowe / VII.
The fish belong in the river, but the river is gone. A man stands in the water, while balloons shaped like dolphins float above, a parody of joy. Nature is replaced by plastic, survival is presented as celebration. Urbanisation turns rivers into markets, creatures into commodities, and memory into something fleeting. © Jubair Ahmed Arnob.
The fish belong in the river, but the river is gone. A man stands in the water, while balloons shaped like dolphins float above, a parody of joy. Nature is replaced by plastic, survival is presented as celebration. Urbanisation turns rivers into markets, creatures into commodities, and memory into something fleeting. © Jubair Ahmed Arnob.

DISPATCHES MAGAZINE

Cattle graze on open land outside Mbarara, Western Uganda, March 2026. A hand gestures toward the plain. Euphorbia and acacia mark the dry season landscape. Landowners in the area cite expensive labor and a lack of funding for mechanization as the main constraints on growth. AVSI and partner organizations are working to strengthen the community through training and technical support, in cooperation with the local Dairy Cooperative Society, which coordinates information sharing with AVSI, helps resolve business difficulties, and links farmers to local government needs and queries. © Nicolò Filippo Rosso.
Cattle graze on open land outside Mbarara, Western Uganda, March 2026. A hand gestures toward the plain. Euphorbia and acacia mark the dry season landscape. Landowners in the area cite expensive labor and a lack of funding for mechanization as the main constraints on growth. AVSI and partner organizations are working to strengthen the community through training and technical support, in cooperation with the local Dairy Cooperative Society, which coordinates information sharing with AVSI, helps resolve business difficulties, and links farmers to local government needs and queries. © Nicolò Filippo Rosso.
Wayilwan girls Alisha and Debbie-Lee learning Wayilwan cultural dances at Sandy Camp Corroboree Ground at Maliyangaa Ngurra Cultural Camp. December, 6, 2020.
Wayilwan girls Alisha and Debbie-Lee learning Wayilwan cultural dances at Sandy Camp Corroboree Ground at Maliyangaa Ngurra Cultural Camp. December, 6, 2020.
Stolen and 'Collected' No More: Reflections on Collaborative Practice  →
- Nyimirr / Fleur Magick Dennis & Isabella Melody Moore
Mohammed Ibrahim, 60, lies on a wooden cot outside the MSF hospital in Abyei, resting in the shade after the long journey from Nyala. His daughter, Rehab, brought him south along with her three children after their town emptied under the pressure of the war. She says his mental health has worsened over the past months, and the family now waits together in Abyei, unsure of what comes next. Nicolò Filippo Rosso, 2025.
Mohammed Ibrahim, 60, lies on a wooden cot outside the MSF hospital in Abyei, resting in the shade after the long journey from Nyala. His daughter, Rehab, brought him south along with her three children after their town emptied under the pressure of the war. She says his mental health has worsened over the past months, and the family now waits together in Abyei, unsure of what comes next. Nicolò Filippo Rosso, 2025.

curated collection: Artificial Intelligence


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Apr
23
2026

Ardamata: Reconstructing a Massacre in the Age of AI, with Sara Creta

In an era where generative AI imagery has become ubiquitous, this conversation centers on the ethical integration of AI technologies into investigative and evidentiary processes.
Phillip Toledano, We Are at War. IMAGE GENERATED BY ARTIFICIAL INTELLIGENCE.
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Mar
27
2025

Reimagining History with Artificial Intelligence: A Conversation with Phillip Toledano

In this conversation, we talk with Philip Toledano about his work with AI, especially his project We Are At War:
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Mar
24
2025

How Do Stochastic Parrots Challenge Visual Journalism?

Getting to Grips with Artificial Intelligence. An article for Dispatches Magazine by David Campbell.

curated collection: archives


Quest for Identity © Ziyah Gafić
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Apr
09
2026

Memory as Resistance – Archives, Inheritance, and the Politics of Remembering

This conversation centers on perspectives that have too often been misrepresented or overlooked, opening up a more nuanced understanding of how memory is constructed and contested through photography.
Chechnya contact sheet © Christopher Morris.
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Nov
20
2025

Expanding the Archive with Kira Pollack and Christopher Morris

We speak with Christopher Morris and Kira Pollack, former Director of Photography at TIME and Creative Director at Vanity Fair, about collaborative methods and new technologies for preserving vital archives and visual histories.
Photo by Afonso Pimenta
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May
02
2024

Retratistas do Morro: Reshaping Brazil’s historical records

In this live event – conducted in Portuguese, with English subtitles – VII contributing photographer Leonardo Carrato and visual researcher Guilherme Cunha will present “Retratistas do Morro,” a photography project that reshapes Brazil’s historical records.